Red Eye Film Darsteller und Crew
Die erfolgreiche Hotelmanagerin Lisa Reisert befindet sich auf dem Heimflug vom Begräbnis ihrer Großmutter. Über ihren charmanten Sitznachbarn Jackson Rippner ist sie anfänglich erfreut. Dieser entpuppt sich jedoch als skrupelloser Verbrecher. Der in den USA gedrehte Film lief am 4. August in den US-Kinos und am 8. September in den deutschen Kinos an. Der Titel des Films leitet sich vom. Der Film "Red Eye - Nachtflug in den Tod" ist ein spannender Thriller hoch über den Wolken. Nach einer langen Ehe haben sich die Eltern, der. Red Eye - Nachtflug in den Tod ein Film von Wes Craven mit Rachel McAdams, Cillian Murphy. Inhaltsangabe: Lisa Reisert (McAdams) hat Angst vorm Fliegen. Rachel McAdams lernt in dem Thriller Red Eye von Wes Craven auf einem Flug ihren Sitznachbarn Cillian Murphy kennen und fürchten.
Red Eye Film Video
28 Days Later
The cell phone's battery dies as Lisa is calling her father. Arriving at his house and seeing the assassin at the front door, she hits and kills him with the car when he shoots at her with a suppressed pistol.
Lisa's father is unharmed and has called Lisa calls Cynthia, unaware Jackson arrived and incapacitated her father. Jackson pursues Lisa throughout the house.
As they struggle, he throws her down the staircase. Lisa, stunned, retrieves the dead hitman's gun and shoots Jackson.
Wounded, he disarms Lisa and is about to kill her when a revived Joe shoots Jackson with the gun.
Lisa returns to the hotel to provide assistance where Keefe praises both women for their actions. The site's consensus states: "With solid performances and tight direction from Wes Craven, Red Eye is a brisk, economic thriller.
Peter Travers of Rolling Stone gave the film a 3. Roger Ebert commended the film, calling it a "good thriller" that moves "competently [and] relentlessly".
He praised Craven for making the film "function so smoothly" and "doing exactly what it was intended to do". Ebert also expressed admiration for the performances of McAdams and Murphy, stating that they are "very effective together".
He said that McAdams is "so convincing because she keeps [her performance] at ground level" and "she remains plausible even when the action ratchets up around her".
He also complimented Murphy for his "ability to modulate his character instead of gnashing the scenery".
Manohla Dargis of The New York Times called the film a "nifty, tense thriller" and said that the casting of the two leads is "a nice surprise".
She said that Murphy is "a picture-perfect villain" and McAdams has a "depth of intensity" that is uncommon. USA Today film critic Claudia Puig said the film is "fun to watch because of the strong performances".
She praised McAdams for blending "vulnerability and courage" to her performance and called Murphy "menacing". While she mentioned that the film is "tense, smart, and nerve-wracking" and "entertaining and scary" on the first hour, she criticizes the film for going "downhill" and becoming a "by-the-book action flick".
Variety ' s Robert Koehler stated that " Red Eye relies on hoodwinking an audience with its tension, so that the sheer illogic of the conspiracy plot can slip by without detection" but complimented McAdams for finding "new and interesting ways of silently projecting fear".
Wesley Morris of The Boston Globe felt the film was like a "poor cousin of an episode of Call it From Wikipedia, the free encyclopedia.
Theatrical release poster. Patrick Lussier Stuart Levy. He's got her father pinned down by a would-be killer, using that advantage to coerce Lisa into phoning the luxury resort where she works and arranging to move the target into a pre-set position.
Wes Craven's psychological thriller "Red Eye" isn't something we haven't already seen, but the standard format actually generates into a tight, snappy and gripping experience.
After breaking away from its vulnerable, claustrophobic intensity. Craven effectively heightens the suspense, for a heart stopping and dazzling last-half potboiler, despite some elaborate and questionable details.
This is sure a different mood for Craven, and you probably wouldn't know it was he behind it. Being short and sweet makes the flying time go by in no time.
Quantity seems to be replaced with quality, but still this is a streamlined lightweight commercial flight for audiences. The taut premise builds up nicely, because of an always engagingly sharp and sly script.
However it does seem to get quite silly, and overstated towards the spontaneous closing. Even the whole set-up is very wishy-washy.
One of its driving factors were the profound lead performances. The lovely Rachael McAdams gives a dedicated, headstrong performance.
Opposite of her is a sensationally suave, but sinisterly steely Cillian Murphy. The two gelled very well, and their back-and-forth banter was expertly delivered.
Veteran actor Brian Cox provides some solidarity, and pleasant support. The cracking music score by Marco Beltrami demonstrates slick panache, and well-timed cues.
Craven and his two leads; McAdams and Murphy lift this one up a notch. Sign In. Keep track of everything you watch; tell your friends.
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Alternate Versions. Rate This. A woman is kidnapped by a stranger on a routine flight. Threatened by the potential murder of her father, she is pulled into a plot to assist her captor in offing a politician.
Director: Wes Craven. Watch on Prime Video included with Prime. Added to Watchlist. From metacritic. Everything New on Hulu in June.
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